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Blues Soloing and Basic Harmony - Page 6

by Christopher Sung
 
Pages: 1 · 2 · 3 · 4 · 5 · 6 · 7 · 8
 
In the previous two pages, we emphasized the C# (i.e. the 3rd) of A7. What if we also hit on the 3rd of D7 as well (F#)? We could bend up to these notes whenever we were on their respective chords. The layout on the guitar might look like this: cho|x|12|x|x|14|x|C# on A7|cho cho|x|x|12|x|x|14|F# on D7|cho |cr| In measure 1, we bend up to the C# for the A7. In measure 2, we bend up to the F# for the D7, and when we return to the A7 in measure 3, we finish we another bend up to the 3rd (C#).
 
 
 
Pages: 1 · 2 · 3 · 4 · 5 · 6 · 7 · 8
 
 
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