Scott Henderson Type Licks - Page 3

by Christopher Sung In the same vein, this example starts out with an ascending B7 arpeggio. The line itself is really inside, but when played over a C progression, it becomes "outside". The last beat of measure 3, where the F# moves to the G is when we return to the backing harmony, just in time for some tasty blues licks. The descending triplet run in measure 8 is drawn completely from the D blues scale and is a nice way to cap off the lick...