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Scott Henderson Type Licks - Page 3

by Christopher Sung
 
Pages: 1 · 2 · 3
 
In the same vein, this example starts out with an ascending B7 arpeggio. The line itself is really inside, but when played over a C progression, it becomes "outside". The last beat of measure 3, where the F# moves to the G is when we return to the backing harmony, just in time for some tasty blues licks. The descending triplet run in measure 8 is drawn completely from the D blues scale and is a nice way to cap off the lick...
 
 
 
Pages: 1 · 2 · 3
 
 
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