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Peavey Sanctuary Series S-32 32-Channel MixerItem #: MP.S-32
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by Peavey 32-Channel Mixer. Made by Peavey. (MP.S-32) Free Shipping on this item, and most items in same order also ship free
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Found in: Unpowered Live Sound Mixers |
The Sanctuary Series S-32 is a
32-channel mixer designed with several unique, user-friendly
features to simplify operation. As on the previously released
Sanctuary S-14 and S-32 mixers, Peavey-exclusive
technologies such as Automix™, Auto Delay™ and
Mid-Morph™ EQ allow any church leader or layperson to use
this mixer with confidence.
On the S-32, channels 1-24 can be sent to three subgroups-Solo,
Choir and Music-while channels 25-32 have a fourth
subgroup option that engages the exclusive Automix function.
In addition, there are eight programmable Mute groups that
can be utilized to silence groups of instruments, vocalists
or other audio sources. All 32 channels include high, low,
mid-frequency and Mid-Morph equalization, and all have direct
outputs. The stereo line channels (21/22 and 23/24) simplify
patching with three stereo inputs each and dual stereo gain
trim controls, and they can accommodate split-accompaniment
audio tracks or full stereo playback. The Monitor Blend control
allows any mix of the left and right channels to be sent
to the monitors.
The S-32 features a sophisticated digital effects processing
section with a complete library of contemporary effects.
The powerful DSP functions also serve many of the S-32's
outputs; for example, you can program crossovers, equalization
(graphic or parametric), compression/limiting and delays.
The patent-pending Auto Delay toolset simplifies setting
speaker delays for balcony, overflow seating or nursery areas.
A built-in USB output can stream audio directly to a computer
for digital recording and playback.
Automix is an automatic mixing function that will adjust
microphones input levels automatically, turning down unused
or low priority inputs to give dominance to the main microphone;
the Mid-Morph equalizer is actually two EQ controls in one,
pulling out low-mid frequencies that muddy the sound when
the knob is cut and shifting to an upper-range frequency
boost that brightens the vocal range.
Features